Postman Always Rings Twice Kitchen Scene

Postman Always Rings Twice Kitchen Scene

I must admit I was quite impressed with Bob Rafelson’s adaptation of the depression era novel, “The Postman Always Rings Twice”. Jack Nicholson plays Frank, a vagabond who eventually falls in love with a sexy waitress named Cora,played by Jessica Lange, who reciprocates this love. However, there is one problem standing in the way: Cora is married, unhappily married, but married nonetheless.Aside from an intriguing story, “The Postman Always Rings Twice” is a wonderfully put together film, as Rafelson does a splendid job delving into the characters and their relationships, as well as examining the problems associated with forbidden love. As a viewer, you truly feel the passion between Lange and Nicholson,(who both won academy award nominations), and you almost feel for their pain. In the 1930’s women in America were at quite a different position than they are today. They were expected to stay with the husband no matter what the circumstances, as divorce was quite uncommon. Lange was very convincing as this trapped 30’s woman who eventually broke free the only way she knew possible..I definitely recommend “The Postman Always Rings Twice” for any fan of entertaining and thought-provoking movies. Although the character development is not quite as extensive as some of Rafelson’s early work, particularly the 1971 classic “Five Easy Pieces”, the movie combines an intriguing screenplay with superb acting to make its own statement.
postman always rings twice kitchen scene 1

Postman Always Rings Twice Kitchen Scene

This is the fourth version of “The Postman Always Rings Twice” novel. The first was French, Le dernier tournant , the second was Italian, Ossessione , and the third in English and American was The Postman Always Rings Twice . As such, this 1981 film was the second English language version but was the first version in colour as all three earlier versions were in black-and-white.
postman always rings twice kitchen scene 2

Postman Always Rings Twice Kitchen Scene

This remake of the 1946 film which starred Lana Turner and John Garfield is significantly better than its reputation. The script, adapted from James M. Cain's first novel, is by the award-winning playwright David Mamet, while the interesting and focused cinematography is by Sven Nykvist, who did so much exquisite work for Swedish director Ingmar Bergman. An excellent cast is led by Jack Nicholson and Jessica Lange, whose cute animal magnetism is well displayed. Bob Rafelson, who has to his directorial credit the acclaimed Five Easy Pieces and The King of Marvin Gardens , both also starring Jack Nicholson, captures the raw animal sex that made Cain's novel so appealing (and shocking) to a depression-era readership and brings it up to date. Hollywood movies have gotten more violent and scatological since 1981, but they haven't gotten any sexier. This phenomenon is in part due to fears occasioned by the rise of AIDS encouraged by the usual blue stocking people. Don't see this movie if sex offends you.Lange is indeed sexy and more closely fits the part of a lower-middle class woman who married an older man, a café owner, for security than the stunning blonde bombshell Lana Turner, who was frankly a little too gorgeous for the part. John Colicos plays the café owner, Nick Papadakis, with clear fidelity to Cain's conception. In the 1946 production, the part was played by Cecil Kellaway, who was decidedly English; indeed they changed the character's name to Smith. Also changed in that production was the name of the lawyer Katz (to Keats). One wonders why. My guess is that in those days they were afraid of offending Greeks, on the one hand, and Jews on the other. Here Katz is played by Michael Lerner who really brings the character to life.Jack Nicholson's interpretation of Cain's antihero, an ex-con who beat up on the hated railway dicks while chasing any skirt that came his way, the kind of guy who acts out his basic desires in an amoral, animalistic way, was not entirely convincing, perhaps because Nicholson seems a little too sophisticated for the part. Yet, his performance may be the sort better judged by a later generation. I have seen him in so many films that I don't feel I can trust my judgment. My sense is that he's done better work, particularly in the two films mentioned above and also in Chinatown , One Flew Over the Cuckoo's Nest and such later works as The Shining and Terms of Endearment .The problem with bringing Postman successfully to the screen is two-fold. One, the underlying psychology, which so strongly appealed to Cain's depression-era readership, is not merely animalistic. More than that it reflects the economic conflict between the established haves, as represented by the greedy lawyers, the well-heeled insurance companies, the implacable court system and the simple-minded cops, and to a lesser degree by property owner Nick Papadakis himself, and the out of work victims of the depression, the have-nots, represented by Frank and Cora (who had to marry for security). Two–and this is where both cinematic productions failed–the film must be extremely fast-paced, almost exaggeratedly so, to properly capture the spirit and sense of the Cain novel. Frank and Cora are rushing headlong into tragedy and oblivion, and the pace of the film must reflect that. A true to the spirit adaptation would require a terse, stream-lined directorial style with an emphasis on blind passions unconsciously acted out, something novelist Cormac McCarthy might accomplish if he directed film. I think that Christopher Nolan, who directed the strikingly original Memento could do it.For further background on the novel and some speculation on why it was called “The Postman Always Rings Twice” (Cain's original, apt title was “Bar-B-Que”) see my review at Amazon.com.(Note: Over 500 of my movie reviews are now available in my book “Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!” Get it at Amazon!)
postman always rings twice kitchen scene 3

Postman Always Rings Twice Kitchen Scene

9. On the staircase in The Thomas Crown Affair What do movies have against beds? In the alternate reality on-screen, it’s not only possible but actually orgasmic to do it in awkward positions on hard, unforgiving surfaces like a piano (Pretty Woman) a subway car (Risky Business), a kitchen table (The Postman Always Rings Twice, 1981) and, in the prize-winning scene from The Thomas Crown Affair: on a cold, marble staircase.
postman always rings twice kitchen scene 4

Postman Always Rings Twice Kitchen Scene

It's easy to understand how attractive it must have seemed to make a 1980s movie of “The Postman Always Rings Twice”. James M Cain's famous depression-era melodrama had already been successful as a book and a movie and a 1980s version could obviously benefit from the advantages of being made in colour and at a time when censorship constraints would be far less strict than they had been in 1946. The result is a production in which this story of lust, adultery, murder, blackmail and “the hand of fate” is told in a style which is far more raw, gritty and explicit than the 1946 movie.Frank Chambers (Jack Nicholson) is a drifter who stops for a meal at a remote countryside diner / filling station somewhere outside L.A. and decides to stay a little longer after catching sight of the establishment's attractive cook called Cora (Jessica Lange). Cora's the wife of Nick (John Colicos) who's the considerably older Greek proprietor of the business. Nick offers Frank a job as a mechanic and soon Cora and Frank are involved in a passionate affair.After the couple fail in an attempt to run away together, they decide to murder Nick. They succeed at the second attempt but soon Cora is put on trial for the crime. The prosecuting attorney succeeds in getting Frank to betray Cora but some slick work by her lawyer results in her being acquitted. After the trial, Frank and Cora resume their relationship and a succession of surprising developments culminate in a tragic conclusion.Frank is a man whose misfortunes don't simply emanate from his weakness or the consequences of making a wrong turn in his life. He's a violent, petty criminal who's driven by lust, but nevertheless, seems more in control of his destiny than is typical of a noir protagonist. In this version of the story, in an interpretation which is probably more realistic, he's more cynical and brutal than John Garfield's 1946 incarnation and as a result is a far more unsympathetic character.Jessica Lange's Cora is also different from Lana Turner's as she seems much too strong and spirited to be as trapped as she claims and also doesn't have the kind of mystique or ambiguity which makes it seem credible that she could've been harbouring dark thoughts about killing Nick for some time.The ways in which the characters of Frank and Cora have been changed is interesting to watch but the same can't be said of the changed ending which lacks both the irony of the original and its significance to the story's title.This movie is strong on atmosphere and intensity and convincingly evokes the period in which the action is set. Jack Nicholson and Jessica Lange are excellent in their roles and the supporting cast (particularly John Colicos) is also very good.

Postman Always Rings Twice Kitchen Scene

Postman Always Rings Twice Kitchen Scene
Postman Always Rings Twice Kitchen Scene

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